Created by Kou Vang
in collaboration with Christa Xiong

PHOTO: Left, Christa Xiong, Claire Odishoo, curator Northwestern Mutual Life Gallery, and Kou Vang .

   
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"Portraits of Hmong Women" is a unique, photographic documentary that captures the stories of Hmong women in an exhibit created to build awareness, preserve history, break down the barriers of oppression and stereotypes and provide education. For the past two years (2004-2006), Ms. Vang and Ms. Xiong, interviewed a variety of Hmong women, ranging from older generations who grew up in their homeland of Laos to present-day Hmong-American women striving to change the course of Hmong society.

The documentary reveals the women's memories of life in Laos, their often heart-breaking escape from the atrocities of the Vietnam War, and their adjustment to new lives in America . The portraits feature two images of each woman in one frame. One image is of the woman in her present environment, and the other of that same woman in traditional Hmong clothing. Combining both images provides a stark time lapse depicting each woman's present identity and how she reconciles that with a difficult past. The traditional clothing identifies each woman within her Hmong clan and illustrates an appreciation of herself, pride and dignity in her heritage, and a sense of belonging.

"Portraits of Hmong Women" frames specific issues, such as living with polygamy, losing cultural identity, breaking the mold of the "traditional passive" woman role, growing up bi-culture, and coping with mental, emotional and physical abuse. Their contributions may seem small, but like each human being their experiences and challenges deserve tribute as they offer a global insight into the untold lives of Hmong women. The stories are both poignant and uplifting and resonate with people of all cultures and backgrounds.

Many books, research and studies have touched on the subject of Hmong women but have not given the women themselves voices or told stories from their point of view. This documentary contains past and recent experiences of Hmong women and how cultural, environmental, and social factors influence and shape their lives. With the last wave of Hmong migrating recently from Watt Them Kapok refugee camp in Thailand to more developed nations, this documentary is significant in capturing the vanishing stories of the last generation of Hmong women from the Vietnam War era and from the homelands of Laos, Vietnam and Thailand.


COMMENTS from the OPENING and EXHIBITION (April 17, 2006):

"We are our mothers' daughters, but we do not have to live in the shadow in which they lived; nor, are we bound by cultural expectations to the degree in which they abide by. "Portraits of Hmong Women" speaks so greatly to the strength of our women and our greatest potential to change the course of our lives ." -La Vang, Milwaukee, WI

"How important it is to give voice to women who have often been voice-less. What a tribute to these women and their stories of survival. "Portraits of Hmong Women" says "I exist. My story matters. Kou is articulate in both her visual art and in her writing. She is a translator, a bridge between the Hmong world and the non-Hmong world for she understands that art must be used to communicate and the bridge worlds. I am impressed with the wholeness of the human being Kou Vang." -Mai Neng Moua, Minneapolis, MN

"I was profoundly moved.  It was the most powerful event I have attended all year and this means a great deal as I have seen well over a dozen operas." -Cheri Frey-Hartel, Milwaukee, WI

"Portrait event enhanced my appreciation and respect for women overall...for our strength, capacity to endure and still emerge with a loving, kind spirit. -Linda Jackson Cocroft, Milwaukee, WI

"The panel was an emotional and educational experience for me. All of the women are SO strong, much braver than I ever could be. They have already faced more difficulties in their lives than I think I would ever be capable of dealing with and some are no older than I am. (I am 23.) Until I started working with Kou I had no idea that this was a part of the culture, but it makes me think that there are many girls that could use a support group or help...and I wonder if the same thing happens in other cultures, which it probably does and how do you begin to reach those people as well? -Jane Backes, Shorewood, WI

"When I reflect back on the substance of the panelists' presentations, I continue to be at awe about how each one exposed themselves and their families so publicly. The situations must be so intolerable that they welcomed your opening to go public. -Janet Carr, Milwaukee, WI

"Tthe panelists were completely courageous for standing before so many strangers and speaking about such personal experiences. Their words brought the whole exhibit to life, so it added a fourth dimension to what was already an intense and riveting exhibit." -Sara Woelfel, Sussex, WI., and also editor of the stories.

Forword by Vincent K. Her
I commend Kou Vang and Christa Xiong, two very talented Hmong American women, for this pioneering work in Hmong American studies. I feel privilege to be able to share my thoughts on this important project. After working for the better part of two years, they have put together a wonderfully revealing photographic and narrative documentary of the life experiences of Hmong American women. The pages that follow are the fruits of that labor. The women in this survey vary in age, education and literacy of modern life. Some were born in Laos and came here as adults. Others came here with their refugee parents as teenagers and were educated in this country. Together, their stories encompass a wide range of memories, drawn from different moments in time and places.

As you will see, each woman speaks candidly about her life experiences, her struggles to achieve stability in life, to be heard, to be accepted and respected for who she is. In her journey of life, she has had to navigate through many unpleasant twists and turns. Pushed in one direction and pull in another, her story offers a blurred glimpse into the growing pains of being a Hmong woman. Some of those growing pains were resolved without drama; others could not easily be. It is these that have left a visible trail of emotional scars in her path.

How are the accounts in this portrait useful? Or, how should we read and interpret them? I suggest that we look at them in this light. They convey the thoughts, voices, and perspectives of Hmong American women. It is their stories of how life is complicated by a multitude of social and cultural factors, including difficult choices Hmong women have had to regularly confront. Some decisions were made by them; others were made for them. Each personal narrative is thus about growing up in a culture, living in a community bounded by strong traditions, and the right to exercise some autonomy within those boundaries. Through the heartfelt testimony of a dedicated wife, a diligent daughter, or an unappreciated daughter-in-law who must put household responsibilities ahead of her own educational goals, we learn how each person is made acutely aware of the role of tradition and culture in the practices of her community. From that experience, she either embraces or rejects the culture. Her story, told from the viewpoint of life in America , not only brings together the past and present but also raises concerns about gender and social equality in a patriarchal society.

As a whole, this work is significant in that it gives a vividly insightful look at the personal lives of Hmong American women. By doing this, it also helps to broaden and enrich our understanding of the Hmong American experience. Their stories are stories of successes, disappointments, heartaches and regrets, as well as individual will to survive. Marrying at different ages and under very different circumstances, the women in this story face very different sets of life challenges. A few, for example, have gone through divorces and are now in their second marriages. Despite early struggles in their lives, some have gone on to achieve middle class standings in American society. Ms. Pa Moua, for example, is currently working as an advisor at an urban university and an adjunct instructor at a community college. Ms. Kaying Xiong Vue, on the other hand, is the principal of an elementary school in Eau Claire , Wisconsin - the first Hmong American to hold such a post. Since earning her Pharm. D., Ms. May Herning Vang-Kue is the manager of a drug store. Not only are these women living the American Dream, but they also embody the progress Hmong American women have made since the arrival of Hmong refugee in the United States in 1976. Their stories add life and texture to the overall picture of the ongoing transformations in the Hmong American community.

 
COPYRIGHT ©2007 by Kou Vang
Photography documentary by Ms. Kou Vang